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• Sharp Gf 700 Service Manual

2018-10-13 - Related:, See my. (if not yet live, use ). PLEASE pre-order using —thanks!

Well, not the whole system since the is not due till December, and I did not snag a (backordered). I do have the and the and the, so I can shoot a few on it also.

I’ll be shooting the Canon EOS R today (and the, which also arrived) up. It’s due to turn bitterly cold by Sunday night, so after that I’ll be forced down from 10-11000 feet to lower elevations. I like the Canon EOS R; nice camera but holy cow is it complex in terms of buttons bars and dials. I’ll be writing up how I configured it, but it’s clear the possibilities are many and varied and I’d say it’s not as straightforward as the, subsituting complexity for button layout—and I am not a fan of a lopsided all-right-side layout as is all too common these days (excepting the Menu button).

The Canon seems just as sharp as the Nikon Z7 EVF, but to my eye the has all EVFs beat for its pleasant color and shadow rendition (a friendof mine, a owner, immediately was wowed by the Nikon Z7 EVF). 2018-10-12 - Related:, See my and and and. A few days ago I posted a custom settings file for the Nikon Z7. I’ve made some changes stemming from what seemed the best way to get at various things in the i menu, My Menu, specific buttons. One thing Nikon did wrong I think, is to force a full i menu. I’d rather declutter whenever possible. The settings file can be downloaded in m: I don’t necessarily recommend loading this revised settings, because presumably those who did have already tailored it to their needs.

See also I’ve documented all the settings and custom settings that I change/use (and why) on the Nikon Z7. Some of the settings are critical and some are just useful behaviors. 2018-10-11 - Related:, See my and and and. This page collects examples at very low shutter speeds, as low as 1/3 second, all shot handheld with with 3 different lenses. Most were a success the first (and only) try, though some took more than one try—a mix of astounding (4 successes at 1/4 sec) and disappointing (5 failures at 1/3 second).

Notes are included. The idea is showing that using along with greatly expands the shooting envelope and given the dearth of native lenses, using the is going to be common, particularly (for me at least) with.

Impressive results. Includes images up to full camera resolution along with shooting notes. 2018-10-11 - Related:, See my and and. I take back my “ Kudos to Nikon for shipping the product tested, not foisting testing on users” praise—this is ridiculous. Buttons and screen go whacko This one is much more serious as there seems to be no workaround other than waiting and hoping. Even pulling the battery did not work. Symptoms includes:.

A recalcitrant Menu button which goes unresponsive. Press it 3/4/5/10 times and nothing happens. 10 to 20 seconds later, the menus appear! Then the screen blinks off and back on, and repeats. I think this is once per Menu button press but maybe not, because the display kept blinking. Or, maybe I just pressed Menu more times than I thought. Other rear buttons also go unresponsive so it may be a general issue.

But since I press Menu a lot, I would thus tend to see the issue that way. I’ve found no solution to this issue other than waiting a minute or two. It seems to go away on its own, but when and why I have not determined. Since the symptoms returned even after pulling and reinserting the battery, there is a major Loose Screw in the Nikon Z7. EVF/rear display switch fails For a period of about 10 minutes, I could not get the auto-switch feature to work (switching between the and the rear LCD). I worked around this by manually using one or the other with the button on the left side of the EVF hump. Possibly this was a bit of condensation inside the EVF area (condensed water vapor from perspiration from carrying the camera near my body perhaps).

Still, my has never had such an issue. 2018-10-11 - Related:, See my and and. The series assesses performance of the at 24mm on a far distance scene but unlike, it includes an excellent near-to-far foreground to assess sharpness taking account of field curvature and focus shift and actual lens performance.

Unfortunately, it concurs with the findings in that series, but also yields an important finding as to the cause. A 3rd series at 24mm confirms the results with the other two: Both include actual pixels crops and up to full resolution images from f/4 through f/11. Below, these small ponds are dry by July or so unless rain or snow fill them. The meltwater from a snowstorm 3 days prior had filled all the ponds in this area.

2018-10-10 - Related:, See my and and. This page collects examples at very low shutter speeds, as low as 1/3 second, all shot handheld with. Most were a success the first (and only) try some took more than one try; notes are included. The idea here is showing that using along with IBIS greatly expands the shooting envelope. It was very dim late dusk. All examples were shot with the. The Zeiss Otus 28/1.4 APO is a very large and heavy lens.

Mounted on the with the, the 'rig' needs to be support by the lens and adapter. The mass probably works in its favor for slow shutter speeds, but it is a little awkward to hold, and that works against it. Includes a best-practices discussion.

All images up to full camera resolution. Below, numerous freak rock slides wiped out big chunks of aspen in, sometime in the winter of 2017/2018. Thick layers of large rocks with mud made a slurry that wiped out and buried things; this slide is one of the larger ones, the next image is one of the smaller! Having visited Lundy Canyon for 20 years, I’ve never seen anything remotely similar in scope and sheer destructive power. What was excellent topsoil (for this altitude) is now jumbled rocks. This rockslide (one of many) actually made it to the creek and dammed it, raising the water level about two feet.

2018-10-10 - Related:, See my and and. NOTE: there is no internet where I am shooting for the next few days. It is tedious and troublesome, but I am making an effort most days to descent for internet service once per day, but there may be exceptions. Please be patient when. My is in full swing, though I’m spending a lot more time evaluating/publishing than enjoying the gorgeous fall season and weather.

This page evaluates the consistency of Pinpoint AF at f/4 using the, comparing it against a reference image focused at f/4 in 100% magnified. All of the conventional autofocus frames were off, and with varying. Discussion includes what to do about the errors that are shown and best practices for this type of shooting. Includes a best-practices discussion. Below, numerous freak rock slides wiped out big chunks of aspen in, sometime in the winter of 2017/2018. Thick layers of large rocks with mud made a slurry that wiped out and buried things; this slide is one of the larger ones, the next image is one of the smaller! Having visited Lundy Canyon for 20 years, I’ve never seen anything remotely similar in scope and sheer destructive power.

What was excellent topsoil (for this altitude) is now jumbled rocks. 2018-10-09 - Related:, See my and and. The finds that the cover glass is only 1.1mm thick, which is much thinner than the 2mm on most cameras: Another unique aspect: the cover glass of the Z7’s sensor is about half a thick as the Sony’s, coming in at 1.1mm. This means the Nikon will have better performance with adapted lenses right out of the box. However, with our ultra-thin conversion measuring down to 0.2mm, the camera will still benefit a great deal from a modification service if you’re a Leica lens (or other legacy glass) enthusiast. The thinner glass means that the ( and in particular) degradation will be much less than on the, suggesting that M-mount lenses ( and ) may perform reasonably well. Though a high refractive index cover glass cannot be ruled out AFAIK.

See and for a full aperture set of MTF graphs for the. It would be wonderful if the ZM 35/1.4 and my worked well on the Z7 (assuming an adapter materializes). 2018-10-09 - Related:, See my and and. My is in full swing, though I’m spending a lot more time evaluating/publishing than enjoying the gorgeous fall season and weather. This page shows just how wildly inaccurate the placement of the zone of focus can be with the (and other systems!). Placement of the has major implications for total and visual impact, yet can easily choose a sub-optimal choice of focus which displaces/biases the zone forward or rearward even as the chosen point is fully sharp. This has implications for total sharpness and.

Includes a discussion of how to manage the issue. In terms of reliably making more sharper images on any camera, this page alone is worth the price of admission, since these days understanding such issues is required for excellent. 2018-10-09 - Related:, See my and and. My is in full swing, though I’m spending a lot more time evaluating/publishing than enjoying the gorgeous fall season and weather. This page shows pairs of images shot at low shutter speeds with on versus off. Is critical for slow lenses like the because it allows greater handheld flexibility when the light is relatively dim, e.g., near dawn or dusk. This page also shows that IBIS is highly effective with Zeiss wide angle lenses, like the.

With full-res images and crops (four examples). Below, a blurred image shot without IBIS at 1/15 second. F4 @ 1/15 sec handheld IBIS=off, ISO 64; 2018-10-08 17:20:47 location “Lundy Canyon trail near trailhead”, altitude 8000 ft / 2438 m, 55°F / 12°C, LACA corrected NIKON Z7 + Nikon NIKKOR Z 24-70mm f/4 S @ 42mm Below, Numerous freak rock slides wiped out big chunks of aspen in, sometime in the winter of 2017/2018. Thick layers of large rocks with mud made a slurry that wiped out and buried things; this slide is one of the larger ones, the next image is one of the smaller! Having visited Lundy Canyon for 20 years, I’ve never seen anything remotely similar in scope and sheer destructive power. What was good topsoil (for this altitude) is now jumbled rocks. 2018-10-08 - Related:, See my and and.

Sharp Gf 700 Service Manual

These examples with the were taken in the drainage (east) of the late in the season. Indeed, the meadow below was blanketed by snow from a very cold storm just two days later—temperatures about 25°F colder! In.: Includes a variety of full resolution images. The sensor quality of the Nikon Z7 and the Zeiss Milvus 18mm f/2.8 are 'golden'—an ideal example of both optical and physical excellence in spite of the Nikon FTZ lens adapter being interposed. I am concluding that and lenses have a great new lease on life given the paucity of lenses available for the Nikon Z7, and the disappointing performance at the wide end of the, which means the zoom ain’t for me. While, they work great, and the is a terrific choice on the Nikon Z7.

The was used on the via the. The on the Nikon Z7 is a joy to use for manual focus lenses. The Milvus 18/2.8 balances nicely on the Nikon Z7.

It is relatively small and lightweight, unlike its faster f/1.4 siblings, so it never feels like a burden. 2018-10-07 - Related:, See my and and. My is underway—I just came down from the mountains to get a cell signal and post a bunch of stuff—see previous posts. My apologies to subscribers who had a delayed response. Not everything with the Nikon Z7 is ideal (I’ll be detailing a few things), but it is as close to perfect as any mirrorless camera I’ve ever used. Kudos to Nikon for releasing a “v1” camera and kicking some serious butt.

The feels crummy compared to the Z7; I know which one I want to use; the thing just works right and fits right and Nikon has preserved the feel of the D850 within the limits of the new body size. An 'A' to Nikon, would be 'A+' if, alas, the Z7 had not omitted. Below, yesterday’s snowstorm surely whited-out this area—glad I saw it 2 days ago! It is very cold today, got down to 24°F last night at 10000 ft near Saddlebag Lake. Color (quaking aspen) is turning at the 7000' level. All is well except one thing: some loser POS didn’t like how I parked (WTF?), so he vandalized my driver’s side window with a Sharpie.

I don’t know how to remove the vandalism—definitely does not rub off with water or not. Makes me want a concealed carry permit. More to come. I’m heading back up and may be off the internet for a few days again. For bandwidth reasons, I am deleting all large emails so please do not send me image files or similar.

2018-10-07 - Related:, See my and and. The series assesses performance of the at 24mm on a far distance scene. A bonus is that it is an extremely high contrast scene in which raw conversion used aggressive contrast control to tame the bright sky and dark shadows, which put the Nikon Z7 image quality to the test.

Includes actual pixels crops and up to full resolution images from f/4 through f/8. I have many more series coming, covering the focal length range.

As yet I do not have the or the but I hope to obtain them soon. 2018-10-07 - Related:, See my and and. I’m pleased to confirm that all of my and lenses work perfectly on the +, though with some EXIF glitches.

And that’s good because so far I am less than delighted with the. Small and light make for delight when hiking, but the tradeoff in image quality is too great; see. When shooting on a, attach a camera plate to the Nikon FTZ lens adapter (as well as an for the camera itself). Since custom plates were not available early on, I used the generic plate for both the camera and FTZ adapter. Really Right Stuff should have custom plates soon.

2018-10-06 - Related:, See my and and. The has horrific pattern noise, which is pathetic for a 24-megapixel camera; see ). Hence my concern over pattern noise in the, because it has many pixels on its. Means the usable range of black to white tones.

Noise can reduce dynamic range, so a key performance metric of any camera is noise. To my knowledge, none of the noise rating take any notice of, making noise ratings potentially quite misleading, because pattern noise is far more difficult to deal with.

For my outdoor work, it is critically important that there be no pattern noise in images because often the shadows must be boosted considerably (equivalent to up to 4 stop ) and/or a conversion with pattern noise in one (or more) channels where pattern noise destroys the potential of the image. In general, I often need a lot of headroom for outdoor images, but particularly black and white images, so image quality must be high in all three color channels.

I chose the scene below as representative as a typical high dynamic range outdoor scene. A key point is that blue sky can be quite dark, which yields a grossly underexposed red channel. If there is pattern noise, it is likely to show up in blue sky, as the human eye (brain) readily picks up horizontal or vertical patterns (striping/banding). Histograms are included to show the actual exposure recorded by the sensor.

2018-10-05 - Related:, See my and and. Gorgeous fall weather in the —as I write this in my, hard pellets of snow are pelting the roof at around 10,000 feet / 3048m elevation. It promises a winter wonderland tomorrow. I’d rather be out there in the storm hiking around and inhaling the wondrously fresh cool air, but I need to prepare at least a few pages for, including assessing whether the has any serious issues. So far I love the Nikon Z7 and will take it any day over the —a real camera at last (speaking in terms of ergonomics/haptics). The Nikon Z7 is if not the best, as good as the very best out there—loving it. The Nikon Z7 does have some shortcomings, but it’s classic Nikon usability—excellent.

I’m beginning to think the new could very well be the best option for people (like myself) who enjoy shooting with M-mount lenses. It’s what Leica should have put out 3-4 years ago in a native M mount, instead of continuing to flog the RF dead horse, and coming out with ridiculous limited editions. Later, when Sigma comes out with a Foveon camera, that could be a nice additional body for landscape photography with a tripod. A Sigma L camera + Panasonic camera + M-to-L adapter all combined will probably cost about the same a Leica SL, and probably less than a Leica M10 + grip + goofy EVF.

The is quite terrible at f/1.4 on. Right at the center of the frame is OK, but it starts falling off quite rapidly. Even the gets very soft at the edges. The is much better wide open, but still not tack sharp along the edges. I've been keeping these lenses figuring one day Leica will be forced to offer a non-RF mirrorless M camera. That might never happen, and I don't want to buy the SL, even with a high res sensor - I hate the camera controls, not to mention the absurd price. So the Panasonic S1R could be my ticket to get better mileage out of my hugely downsized set of M lenses.

Depiction of ray paths through sensor cover glass DIGLLOYD: performance losses on with lenses are HUGE with most lenses through f/4, with f/5.6 still degraded even with 50mm lensess. Arguing otherwise is a a hallucination problem. In, the entire aperture series from f/1.4 through f/16 is shown and compared to performance on Leica M; the MTF losses are extreme both for conventional MTF and through-focus MTF (both are shown, courtesy of measured results by Carl Zeiss). As to the being better, maybe: show that performance on Sony mirrorless of the Leica 50mm f/2 APO-Summicron-M ASPH is impaired even through f/5.6.

For those who are OK with modifying their cameras and/or using special filters to mitigate the ray angle issues, see by Philip Reeve. L-mount to the rescue of Leica M lenses? The performance with is nearly as good as on Leica M bodies, so assuming that the consortium sticks to the same sensor cover glass thickness as the Leica SL, then the holy grail has arrived: performance of Leica M lenses on at least three different camera bodies (, Sigma TBD).

Put plainly, the Panasonic S1R might possibly be the ultimate killer. Note that my longstanding carefully considered policy for lens performance evaluations:, with few exceptions unless compelling reasons exist. 2018-10-03 - Related:, See my and and.

I’ll have the Nikon Z7 system for review tomorrow October 4th, whereupon I leave for the. I will be publishing my findings starting this weekend. James K writes: Once you see the effect of the EYE AF there is no going back. This is a MUST HAVE feature if you photograph people. I shot a few portrait tests with my 50mm f/1.4 FE this afternoon.

Scary sharp and perfectly eye focused. I have gained a new appreciation of the Sony system. DIGLLOYD: so sad to see no Eye AF with the Nikon Z7. Wide open at 85mm and f/1.4 I’ve seen a 99% hit rate. Lefteris Kwrites. Two things that made me return the Z7 today: a) It can track a person slowly moving from side to side – hit rate only 60%.

When the person moves towards me, hit rate is only 20%, sometimes zero (lens at 60mm, distance from the other person from 7 meters - 4 meters - 7 meters when moving side to side, and from 7 meters to 2 meters when moving toward me). I switched to face-tracking, which works only with full sensor coverage, and although the little square tracked the face, it misfocused in almost all pics (from 7 meters coming towards me up to 2 meters, slowly walking, always at the center of the frame, viewfinder center part on her face at all times). B) The performance is rather weak, giving me a max of “satisfactory” 2.5 stops, and only when I used front-curtain e-shutter. I usually get equal or better performance on the with a stabilized lens and mechanical shutter.

C) I didn’t notice any outdoors when pushing shadows 100% in dark areas, but I didn’t test extensively with such a purpose in mind either. All I wanted was a stabilized D850 as companion camera, but the Z7 looks like an incomplete product.

If I wanted a slow camera, I’d get a GFX. DIGLLOYD: even setting aside these issues (I can neither confirm nor refute them as yet), the lack of as in is a gaping hole in what the Nikon Z7 should have done. As for sharpness at low shutter speeds, including is a good feature that often delivers less than promised and on Sony, —a horrible 'gotcha' that has destroyed my work more than once.

Proper shooting technique goes a long way to; see in. Terrence M writes. Rent before you buy!

When the Nikon Z7 arrives I would like see in your review your opinion on the camera for portraits especially compared to the. One thing I noticed playing with the Z7 in a camera store you don’t have to focus and recompose like a since the AF points cover most of the frame.

DIGLLOYD: based on the incredibly high hit rate of in, lack of Eye AF in the Nikon Z7 is a gaping hole that should put Sony mirrorless ahead in desirability for those who regularly shoot portraits. More focus points is a plus, but it is a weak consolation prize that still requires focus-and-recompose; subjects don’t just sit frozen in place while the photographer is diddling the focus point to be precisely on the iris of the eye—that’s just not a viable shooting approach for high quality shot execution unless a person is unmoving. And it’s pretty easy to miss and have the camera focus on eyelashes or eyebrows or nose hairs. Here in late 2018, lack of Eye AF is a BAD JOKE—IMO, lack of Eye AF unacceptable if the camera is to be used for portraits. Face tracking is a primitive feature useful for some things (I suppose), but not at all a substitute. I don’t care how good the camera is otherwise—, versus (shooting at wide apertures, I’m not talking about shooting at f/11 here).?

Sharp GF 700 - Service Manual free download,schematics,datasheets,eeprom bins,pcb,repair info for test equipment and electronics Schematics 4 Free Service manuals, schematics, documentation, programs, electronics, hobby. (welcome to eserviceinfo.com at 15 Oct 12:48 pm GMT) news /news Login: Pass: Search service manuals database Enter Mfg: Type: Show Files Order by Type: Size than Class: Search results for: sharp GF 700 (found: 55 regularSearch) File Date Descr Class Size Popular Mfg Model Original Added by Found in: fulltext index (55) User manual for Infrared Thermometer. Operating manual. Model GM-700 version 700-EN-00 Measuring equipment 514 kB 1689 MADE IN CHINA sseabass Schematic diagram for the Helios TC 500 & TC 700 models (all of the schematics of the separate pages of the PDF file have aligned and merged in one PDF file).